photos by Dave Iba
Locally, the Sundance Film Festival is known for overcrowding Park City with rubberneckers on the prowl for celebrity sightings. The chance of getting into film screenings is usually slim – even if do you hold out in the freezing cold wait-list lines. However, this year was a little different than expected.
Blame the economy or whatever you may, but this year was more empty all-around, making it more bearable than previous years (aside from trying to get down Main Street while flocks of people blocked the lane chasing down hack-celebrity Paris Hilton). The streets were less crowded. The screenings were easier to get into. And there were a lot less press and industry folk than in the past.
But if any year deserved the hype and floods of people, it was this one. Although not all of the films were perfectly constructed or told in the best way, what films I saw at this year’s festival were far superior to the 16 flicks I saw at last year’s festival. The following are some of the films that I truly enjoyed and my thoughts on them.
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Imagine a mix of the classic sci-fi flick 2001: A Space Odyssey and Danny Boyle’s Sunshine. Mix those together and you get Moon.Sam Rockwell (Frost/Nixon, Choke) stars in a nearly one-man cast in Moon. Kevin Spacey lends his voice as the computer operating system and there are quick flashes of his wife, daughter and bosses, but it’s mostly the Sam Rockwell show.Some time in the near future, mankind rids the earth of oil-driven fuels. A new resource is found by harvesting stored solar energy from the rocks on the surface of the moon. Rockwell plays Sam Bell, the solo operator of the entire lunar harvesting system. The company running the operation employs one man at a time for a three-year contract, and Sam’s is about to run out.With only a few days to go, Sam begins to lose his grasp on reality and ends up crashing his lunar rover into one of the harvesting machines. The results of the accident drastically change Sam and his future. Moon is the rare breed of science fiction film that successfully accomplishes what all the bad ones try to do. It’s psychological and smart. It’s well-written and intriguing; it even makes you think.With an outstanding performance from Sam Rockwell, and a beautiful blend of directing and music, Moon is sure to become an instant classic for sci-fi aficionados. It is slated for a nationwide release with the date yet to be announced.
Under today’s circumstances, we’re flooded with anti-war films that show how bad the situation is “over there” and what it’s doing to the troops and society. Taking Chance is breath of fresh air, a release from those types of anti-war films.Kevin Bacon gives another memorable performance as he brings to life the true story of a lieutenant colonel escorting the remains of a 19-year-old Marine across the country to his family.Along the way, he realizes the impact that one fallen soldier can have on complete strangers, sacrificing your existence for people whom you will never know.While Taking Chance is a slow moving “road trip” film, it never feels slow. You emotionally invest yourself in the personal, intimate experience. You never feel manipulated as you would in a typical Hollywood film that exaggerates and heightens the mood just to keep you going. This story is so natural that you feel as if you were a second escort.Taking Chance is a HBO Film, so it will most likely appear on HBO before long.
Amy Poehler, Rachel Dratch and Parker Posey star in this comedy as a trio of geeky friends about to hit their mid-life crises together.Becky (Posey) works as the personal assistant to a Texas senator who has the potential of being the next vice president. When the senator’s daughter heads to South Padre Island for a wild spring break, Becky is sent to keep an eye on her. When she brings along her sidekicks, Judy (Dratch) and Gayle (Poehler), Becky ends up having to keep her eyes on them too.Spring Breakdown is a laugh-out-loud comedy in the vein of Mean Girls and Hot Rod. While not your typical Sundance film, it was nice to see something light and warm at the festival. It’s set to open nationwide Feb. 3.
Though the title of the film leads you to believe that Reporter is about the two-time Pulitzer Prize winning New York Times op-ed columnist Nicholas Kristof, it’s really not.The documentary follows him looking for stories in the Congo. It serves as a road trip diary about the Congo crisis than a documentary about a man who is willing to enter dangerous territory for the sake of finding truth.Nonetheless, the journey he and his colleagues embark on makes the film worth seeing. Not only do they try to find the stories of the people living through the crisis, but they confront the warlord responsible for it, trying to understand his justification for killing millions of innocent civilians through both violence and starvation.Even though REPORTER could have used some editing and focus, the story is worth watching. It is informative and intriguing, but not at all the self-proclaimed ‘life-changing’ film it tries to be.
The September Issue
Knowing absolutely nothing about fashion, I had no idea that Vogue magazine’s September issue is the biggest and best of each year, setting the fashion trends for fall. The September Issue is a brilliant documentary taking you into the heart of Vogue during its most stressful time of the year.The film mostly circles around Vogue editor-in-chief Anna Wintour- the woman Meryl Streep’s The Devil Wears Prada character is based on. It doesn’t take long to realize that Streep’s character wasn’t all that far off.You do not need to be a fashion expert to enjoy The September Issue. Only moments into the film, I was asking myself, “Is this a documentary or a mockumentary?” because it was just too entertaining to be a true fashion story. Many scenes and large chunks of dialogue were just too well written, comedically speaking, to be real. It had to have been scripted. But, no, it wasn’t. These people are so far out there and so over-the-top that you can’t help but find it entertaining- no matter who you are.Even through all of the supermodel/runway techno music, The September Issue is absolutely charming. I’d put it right up there next to The King of Kong in my favorite documentary category. It’s entertaining, enthralling and funny.A&E produced the film, so it shouldn’t be long before it premieres on the network.
Pardon the pun, but The Greatest may be the greatest film at Sundance this year, but it has some small, looked-over storytelling details that could hurt the film come nationwide distribution.In The Greatest, Pierce Brosnan and Susan Sarandon play the parents of a teenage kid recently killed in a car accident. Their grieving process is completely turned around when their son’s girlfriend, who survived the accident, comes to stay with them. The film takes you on a beautiful journey with the family as they go through the grieving process and learn that it’s easier to do it together rather than trying to do it alone.While the emotions created by characters and the story are extremely strong, a few unexplained and unanswered character choices temporarily pull you out of the film. If this film receives distribution, hopefully there will be some editing to solve these thematic problems. If so, there’s no doubt in my mind that many will connect with and fall in love with The Greatest. It’s a natural, tender story that won’t easily be forgotten.