Tag Archive | "art"

Exhibit explores individuality of local artists

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Exhibit explores individuality of local artists


This outlandish refridgerator represents the many extraordinary personalities. Ai Mitton/ UVU Review

This outlandish refridgerator represents the many extraordinary personalities. Ai Mitton/ UVU Review

Life experiences shape us into unique individuals with different likes, dislikes, passions, pasts and futures.These differences often manifest themselves through artistic expression; thus original artwork tells the story of the artist.

With the recognition of this fact in mind, the Covey Center for the Arts is featuring the individuality of four local artists in “Self in Context,” an exhibit on display through Jan. 30.

The artwork of Sharon Gray, a professor at BYU, is infused with relatives, romance, adventure and humor. From her piece “Chapter in the Story of my Parents,” in which she highlights her parents’ unwavering love during WWII through use of found love letters to her photographs of frozen, desert and ocean landscapes inhabited by her own shadow, Gray demonstrates the use of many unique outlets for her artistic expression.

Perhaps the most amusing of her pieces is an ordinary domestic refrigerator covered in representations of her many personalities. These include images of Frida Kahlo, Grandma Moses, the Mona Lisa, Bob Dylan, a nun and many others figures with Gray’s face superimposed over the original. Her work is unconventional, to say the least.

Associated with both the Alpine School District and UVU, Cynthia Clark chose to express herself through various representations of doors, or portals. This is seen more literally in pieces such as “Of Changes and Choices,” which depicts transforming landscapes cut through by paths leading to open doorways, and more abstractly in her piece titled “Of Religion and Man’s Perception,” which utilizes two mirror images of Jesus Christ, ancient text and muddled paint to transport viewers through spiritual experiences both past and present.

Having taught at both BYU and UVU, Barbara Wardle has her hands in everything from painting to sculpting and creating original jewelry from semi-precious stones and sterling silver.

Although the majority of her paintings depict the unrefined beauty of natural Utah landscapes, her most powerful piece is an acrylic painting titled “Journey from Anger to Peace,” which she began in 1994 following the death of her husband and which she finished only recently. It portrays a multi-colored outline of a woman’s body, seated and unidentifiable, with brass letters, numbers and symbols adhered to the canvas.

Diane Asay has taught at Provo and Timpview high schools as well as BYU. Although the sole medium she explores in this exhibit is watercolor, the subject matter varies and numerous techniques are applied. A collector of bottles, Asay demonstrates their unique appeal through still life paintings, as well as depictions of assorted chairs, all of which make a profound statement with their vacancy.

Her most intimate pieces are those which depict her own aging body parts, including the head, hand and foot. These seem to represent the major functions that she values most about her own body. The attention to detail in Asay’s pieces reveal both her considerable technical skill and her devotion to art.

Although most of us are penniless college students, it serves to mention that the exhibited artwork is for sale, but more realistically, visit the exhibit if you are looking for creative enlightenment or simply something to do in your spare time.

Open Monday through Friday from 10 a.m. – 5 p.m., the free admission and illuminating artwork are reason enough to check it out, but for more information visit www.coveycenter.org.

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Interview with Ricky Allman

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Interview with Ricky Allman


Courtesy of Ricky Allman

Courtesy of Ricky Allman

Ricky Allman graduated with his associate degree in Fine Arts from UVSC in 2003. He then went on to receive his BFA in Painting at the Massachusetts College of Art and his MFA at the Rhode Island School of Design. Allman’s art has been featured in galleries across the country as well as in various national publications. He is currently Assistant Professor of Painting/Drawing at the University of Missouri-Kansas City. Check out his Web site www.rickyallman.com for more information.

1.  What was your experience at UVU like?

It was pretty cool, pretty radical, pretty fetchin’ sweet. So to sum it up: rad, cool and sweet. I wasn’t sure what I wanted to do when I got there, but the faculty in the art department (especially Hyunmee Lee) were so great, they helped me immensely. They helped me recognize and develop my talents and pretty much set me on my career path. I remember going to NYC for the first time with the art department which was very influential for me. I also met my wife there, so my time at UVSC was filled with art and romance- sweet, sweet romance.

2.  Where do you get your ideas/inspiration from?

Most of my ideas I can trace back to growing up in Utah- visually the mountains and the LDS temples have been a huge influence. Conceptually I am fascinated by “end of days” prophecies of the Mormon church and those who take those doctrines to the extreme like the FLDS church. The idea of hastening and ushering in the end of the world is simultaneously repulsive and intriguing. Therefore I use a lot of opposing elements in my work to speak to those type of contradictions, like natural vs man made, interiors vs exteriors, construction vs deconstruction, sacred vs profane, and any others that catch my fancy.

3.  What artists do you admire?

I always get excited by what my friends are doing- Chris Purdie, Shawn Bitters, Chris Allman, Casey Jex Smith, Mark Schoening, Matt Bollinger, Ziad Naccache. As far as artists that I wished were my friends- I love Sarah Sze, Matthew Barney, Peter Doig, Allison Schulnik, Tomory Dodge and a million more. Well probably not a million more, a thousand? We better go with a hundred, I don’t need the FCC all up in my business.

4.  How would you define “good art”?

It’s a lot like music and movies, sometimes I’ll see or hear something and am not sure how I feel about it but then it sticks with me and resonates in some way. The longer something stays with me and impacts how I think and feel the better it is. Very good art is often difficult to understand and takes time to process. If it has the power to challenge me both intellectually and emotionally I know it is special.  Something can be very well done technically, but if there is nothing in the work to keep me engaged I don’t care for it. I’m also a sucker for beauty.

5.  Would you ever consider changing the spelling of “mermaid” to “myrmaed”?  Because I have.

That sounds like either a Welsh thing or a 1970’s hardcore feminist thing. I like Wales and I like feminism but I’m also into economical and straight forward spellings so I’m torn about this.

6.  Albert Camus said, “A guilty conscience needs to confess.  A work of art is a confession.”  Ricky, what are you guilty of and what is it that you are confessing?

He also said: “Staring down the barrel at the Arab on the ground, I can see his open mouth, but I hear no sound…” or was that the Cure?  Either way there is probably some truth to that. I think subconsciously a lot of my art has been about coming to terms with the issues I have had with the Mormon faith (being raised in the church) and how I reconcile those with my own contradictory beliefs, so in my paintings you will see a lot of churches surging with chaos and instability. I didn’t recognize it until after the fact, but I think there are some implicit confessions in there.

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Four places to find art that aren’t museums


Photo by Ai Mitton/UVU Review

Photo by Ai Mitton/UVU Review

1. Tattoo parlors and tattooed people
Tattoos are older than Jesus. They’ve been around for awhile, but tattoos are still controversial at best and condemned at worst. While many disagree with tattooing and find all of it rather obnoxious, there are those that view tattooing as an art form. Tattoo artists aren’t just Joe Shmoes that pick up a needle and mindlessly draw on people. To become a tattoo artist, one must spend years perfecting their skills, developing a portfolio, and working as an apprentice in a tattoo parlor. It takes passion, drive, persistance, and raw artistic talent to become a tattoo artist. Stroll down to one of the many tattoo parlors we have here in the Valley (such as Painted Temple) to catch a glimpse of the art these artists create on the human body each day.

2. Various outdoor surfaces
You know what else is older than Jesus? Graffiti. Dating back to Ancient Greece and the Roman Empire, graffiti has literally left its mark. Whether it’s communicating a political message or marking territory, graffiti is not without controversy. Is it art worthy of gallery space? Or is it merely vandalism? I will leave it up to you to answer these questions, but before you do, please check out the British street artist Banksy. Google him. Then Google “Google.” Then Google “Googling Google.” You may end up unlocking some secret portal.

3. The floor
I used to work at a museum. Every day I was surrounded by walls with framed paintings. And these paintings were good, for the most part. But nothing inspired me more in that museum than when I would mop the concrete floor in the back. That ground was where paint would fall as it carelessly dripped off of brushes and where spray paint would accidentally leave its mark. In short, the floor was a canvas in and of itself. I loved the abstract and free quality of the museum floor more than I loved the trapped paintings on the wall. Keep your eyes to the ground, folks, because you never know when you will be walking on art.

4.  Elementary schools
Okay, so just strolling into a grade school may not be very reasonable and probably not very legal, but if you ever get the chance to volunteer in a Kindergarten art class or to see an art show done by people under the age of 12, do it. There’s something special about the mess of fingerpaint on a piece of construction paper. Kids will paint, draw, and create with wild abandon. It’s spontaneous. It’s pure. There’s a genuineness in their art that is sometimes very hard to find in the art of adults.

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Sketch: The healing power of art


Sketch

This week, the expert input comes from over 900 shirts. The Clothesline Project, which displays T-shirts made by and in honor of victims of violence and abuse, was displayed at UVU last week. While the shirts do display horrific amounts of pain, they also bear witness to the powerful effects of healing.
“A lot of times when people have experienced violence or [been] abused, they’ve been silenced,” says Jennie Briggs, director of UVU’s Equity Center. “When they come here, they feel like they can say whatever they want to say.  It is a healing for them.”

The use of art for healing purposes has been documented in scientific journals. Studies show that adding the use of art in treatment of victims of violence facilitates healing more than talk therapy alone. This effect can easily be seen through the messages on the shirts.

“When you … journal or when you express yourself through art, there are connections that happen in your brain that allow for healing … [and] for self-understanding,” Briggs theorizes. She says that she has seen firsthand the power that creative expression has. “I’ve seen people who make the most beautiful shirts and they’ve been able to really express what they’re feeling and not have to worry about being [judged] and becoming more self-aware.”

In addition to having a healing effect on the individual, it can also empower the community to change and become more aware. Of the individuals that creates the shirts, Briggs says, “By them having the courage to do a T-shirt like that, the rest of us can come and read them and become aware of the epidemic of violence in our own community.”

Anyone who wishes to give a T-shirt they have made to the project can drop it off to Briggs in LC 303 at any point during the year.
“I saw someone reading my shirt, and I was, like, ‘Someone knows,’ ” one participant said. “I thought, ‘Someone might finally believe me.’ “

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